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Modal Moods
Sheetmusic to print
10 sheet music found
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1
Modal Moods
Modal Moods
#
Harp
#
INTERMEDIATE
#
Darhon Rees-Rohrbacher
#
Modal Moods
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Afghan Press Music for the Harp
#
SheetMusicPlus
Lever Harp - Level 3 - SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score...
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Lever Harp - Level 3 - SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score. 22 pages. Afghan Press Music for the Harp #878476. Published by Afghan Press Music for the Harp (A0.1287455). Seven Original Compositions In Varied Styles Based On Seven Modal Scales For All Harps (Lever or Pedal) With Guitar ChordsTable of Contents1. Ionian Intonation 12. Dorian Delight 33. Phrygian Phrolic 54. Lydian Lilt 75. Mixolydian Mirth 96. Aeolian Aire 117. Locrian Lament 13These tunes may be played on lever harps with an Eb, Bb, F, or C tuning or on any pedal harp. All tunes were typeset to fit exactly on two facing pages to eliminate any page turns within a piece. If desired, the length of each piece can be lengthened by repeating some sections; section divisions are indicated by light double bar lines. Many people are unaccustomed to hearing tunes based on modes other than the Ionian or Aeolian. Therefore, you may find some of the melodic contours or harmonies to be unusual, unexpected, or even uncomfortable. There are only three lever changes in this entire book – and they all occur on the last note of the piece. Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minoradjustments.Dynamics, fingering, and metronome markings are provided throughout as an aid to performance. However, the harper should use whatever dynamics, fingerings, and tempos suit them, no matter what this book indicates! The maximum range needed for each piece is only 26 strings (3.5 octaves) from low C to high G. Therefore, it can be played on a small harp encompassing that range. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten glissandos as needed.
$10.00 ≈
9.26€
After Bach
After Bach
#
Cello (band part)
#
INTERMEDIATE/ADVANCED
#
Pablo Tejedor-Gutierrez
#
After Bach
#
C8 Music
#
SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1305415 By Pablo Tejedor-Gutierrez. By Dominic McGonigal. 21st Century,Classical,Contemporary. Individual part. 2 pages. ...
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Cello Solo - Level 4 - SKU: A0.1305415 By Pablo Tejedor-Gutierrez. By Dominic McGonigal. 21st Century,Classical,Contemporary. Individual part. 2 pages. C8 Music #894859. Published by C8 Music (A0.1305415). Inspired by Bach, specifically the Prelude of the first Cello Suite, After Bach exploits the sonorities of the cello with the melody intertwined in chordal figuration. It is mostly in the bright Lydian mode, moving through different modalities and moods. Before the final cadence, there is a more contemplative reprise of the main theme, leaving the listener with a good feeling. It was written for Pablo Tejedor-Gutierrez, who has a beautiful tone on his baroque cello and of course loves Bach. 3'40. More at www.dominicmcgonigal.com.
$1.99 ≈
1.84€
The River of Life and Death
The River of Life and Death
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Choral 3-part
#
INTERMEDIATE/ADVANCED
#
Kat Felicis Ioco
#
The River of Life and Death
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Kat Felicis Ioco Productions LLC
#
SheetMusicPlus
Choral Choir (SAT) - Level 4 - SKU: A0.993094 Composed by Kat Felicis Ioco. 20th Century,A Cappella,Classical,Contemporary,Contest,Festival. Octavo. 4 p...
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Choral Choir (SAT) - Level 4 - SKU: A0.993094 Composed by Kat Felicis Ioco. 20th Century,A Cappella,Classical,Contemporary,Contest,Festival. Octavo. 4 pages. Kat Felicis Ioco Productions LLC #4331315. Published by Kat Felicis Ioco Productions LLC (A0.993094). The River of Life and Death (SAT divisi with solo) evokes the textures and moods of water, which plays a significant role in many cultures and religions due to its dual status of both life-bringer and destroyer. Lasting approximately one and a half minutes (~1:30 min.), The River of Life and Death has three sections and ever-shifting tonality with a modal quality. The wordless text is written in IPA. While scored as SAT, all-female groups with strong low altos can perform it. It is appropriate for a wide variety of contexts, including concerts.
$2.99 ≈
2.77€
Cameos
Cameos
#
Flute and Piano
#
INTERMEDIATE
#
Richard Lambert
#
Cameos
#
Forton Music - Digital
#
SheetMusicPlus
Fl. pft. - Intermediate-Advanced - SKU: F2.FM617 Composed by Richard Lambert. A set of pieces for flute and piano. Score and part. 37 pages. Forton Musi...
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Fl. pft. - Intermediate-Advanced - SKU: F2.FM617 Composed by Richard Lambert. A set of pieces for flute and piano. Score and part. 37 pages. Forton Music - Digital #FM617. Published by Forton Music - Digital (F2.FM617). ISBN 9790570485161.Abigail's Jig, op. 10 no. 2a, This lively piece for flute and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. The piece demonstrates a range of tone colour for the flute across a wide melodic range. Written originally for alto sax in 1987, the piece was arranged for flute in 1994. Five Short Pieces, Op. 9a, This set of movements for flute and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.
$14.95 ≈
13.85€
Cameos
Cameos
#
Richard Lambert
#
Cameos
#
Forton Music - Digital
#
SheetMusicPlus
Cl. Bsn. pft. - Intermediate-Advanced - SKU: F2.FM621 Composed by Richard Lambert. A set of pieces for clarinet, bassoon and piano. Score and parts. 53 ...
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Cl. Bsn. pft. - Intermediate-Advanced - SKU: F2.FM621 Composed by Richard Lambert. A set of pieces for clarinet, bassoon and piano. Score and parts. 53 pages. Forton Music - Digital #FM621. Published by Forton Music - Digital (F2.FM621). ISBN 9790570485208.Abigail's Jig, op. 10 no. 2a, This lively piece for clarinet, bassoon and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. Five Short Pieces, Op. 9a, This set of movements for clarinet, bassoon and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.
$17.95 ≈
16.63€
At the Cross
At the Cross
#
Handbells
#
INTERMEDIATE
#
Cynthia Dobrinski
#
At the Cross
#
Hope Publishing - Digital
#
SheetMusicPlus
Handbells (Handbells) - Level 3 - SKU: H1.1636DP Arranged by Cynthia Dobrinski. Lent, General Worship. Handbell score. 8 pages. Hope Publishing - Digita...
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Handbells (Handbells) - Level 3 - SKU: H1.1636DP Arranged by Cynthia Dobrinski. Lent, General Worship. Handbell score. 8 pages. Hope Publishing - Digital #1636DP. Published by Hope Publishing - Digital (H1.1636DP). Hymn tune At the Cross is a piece of many moods, with a quiet beginning and bombastic ending surrounding a modal middle section. It undergoes several key changes, all flat keys(Eb Major and Gb Major), and is mostly chordal in nature with some short flowing passages. Measures total 81.
$6.25 ≈
5.79€
Sonata for Flute and Piano, Op. 12
Sonata for Flute and Piano, Op. 12
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Flute and Piano
#
ADVANCED
#
Tyler J
#
Sonata for Flute and Piano, Op
#
TJHoltMusic
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00 ≈
18.53€
Blue Wizard (guitar)
Blue Wizard (guitar)
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jeffrey Hoover
#
Blue Wizard
#
Musicart Publications
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.971659 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 11 pages. Musicart Publications #5793861....
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Solo Guitar - Level 4 - SKU: A0.971659 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 11 pages. Musicart Publications #5793861. Published by Musicart Publications (A0.971659). Blue Wizard is inspired by American Jazz, Blues, and Flamenco traditions. For solo classical guitar, it is 6 minutes in length. The work begins as a Blues, with its familiar twelve-measure form and phrasing, but rapidly moves into a musical fantasy based on five-tone and modal scales heard in jazz. The music continues to travel through a variety of moods, colors, and textures. Ideas return and are transformed. The closing section of Blue Wizard possesses a dancing quality, with a final push to the end. As with other compositions by Jeffrey Hoover, there is an interpretive painting Blue Wizard, painted by the composer.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysite
$9.95 ≈
9.22€
Abide With Me (traditional hymn arranged for intermediate piano solo by Clifton Davis, ASCAP)
Abide With Me (traditional hymn - intermediate piano solo by Clifton Davis, ASCAP)
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
William Monk
#
Clifton Davis, ASCAP
#
Abide With Me
#
Clifton Allen Davis Music, ASCAP
#
SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.1050790 Composed by William Monk. Arranged by Clifton Davis, ASCAP. Classical,Praise & Worship,Sacred,Spiritual. I...
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Instrumental Solo - Level 4 - SKU: A0.1050790 Composed by William Monk. Arranged by Clifton Davis, ASCAP. Classical,Praise & Worship,Sacred,Spiritual. Individual part. 5 pages. Clifton Allen Davis Music, ASCAP #655111. Published by Clifton Allen Davis Music, ASCAP (A0.1050790). A sturdy arrangement for intermediate piano solo provides contrasting moods to envelop the player and listener as we work through this text that has provided comfort for so long. Appropriate for church events, recitals, and funerals. Beginning with an arpeggiated pattern, a shift in modality heightens Henry Lyte's text before the storm calms and the familiar tune comes back in a triumphant manner. Part of the Hymns My Mother Taught Me collection.
$5.50 ≈
5.09€
Duet in E
Duet in E
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2 Guitars (duet)
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INTERMEDIATE/ADVANCED
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Flamenco
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Adam Frank
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Duet in E
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Adam Frank
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SheetMusicPlus
By Adam Frank. By Adam Frank. 20th Century, Classical, Contemporary, Latin, Romantic Period. Score and parts. 13 pages. Adam Frank #600679. Published ...
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By Adam Frank. By Adam Frank. 20th Century, Classical, Contemporary, Latin, Romantic Period. Score and parts. 13 pages. Adam Frank #600679. Published by Adam Frank
If the composition\'s heart has a romantic essence, then it embodies a flamenco soul. The beginning has a happy and vibrant nature, but is followed up by modal flourishes that passionately collide against rasgueados. As the piece progresses, the ideas continue to morph and cascade through different moods and gestures before the main theme is recapitulated.
$6.99 ≈
6.48€
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Modal Moods
